The week's Week-end Assigment (Number 50!) asks us to talk about a work of art that's had a significant impact on us. So here it is - Ansel Adams, Moonrise Over Hernandez, New Mexico, 1941.

I took a photograph like this once -- a photograph of the moon rising over the distant mountains as we drove from Jackson back to Grand Teton National Park one night. My photograph is a brilliant work of art -- solid black, nary a moon nor mountain in sight. Okay, so I have a ways to go before I even reach technology kindergarten. I'm fine with that.
Seriously, this is a photograph at which I think I could gaze for hours. This is the photograph that tells me that spending hours trying to produce a print that says exactly what you want is worth the effort.
It's also a photograph that brings to mind the dozens of times I have celebrated full moons with my children: at home, over the desert in the Southwest, over the Atlantic Ocean, over the lakes of Algonquin in Canada, over the summer Piazza Vecchio in Florence, over the winter Seine in Paris.
It's also a photograph that was taken before the atomic bomb was tested in the desert of the southwest, and yet the astonishing rendition of light in the sky seems almost to foreshadow that awful morning in New Mexico when physicist Robert Oppenheimer watched his destructive creation come to life for the first time and said, quotingthe Baghavad-Gita, "I am become Death, the destroyer of worlds." The New Mexican desert was one place in 1941; it was another after the summer of 1945.
A work of art -- a slice of beauty and technical mastery in itself; a reminder of precious personal moments, both humorous and poignant; a connection to geography and history on a grand scale.





